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"It's best to watch this special
after you've seen the show"
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Downloaded from
YTS.MX
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The Pharaoh.
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Which way do I look?
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Official YIFY movies site:
YTS.MX
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[person] Roll camera.
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-[drone whirring]
-[explosion]
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Welcome!
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[Cano] Musical, mystery, thriller…
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That's a delight too!
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I think everyone should watch
It Was Always Me
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because it makes us dream.
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This project has been the best experience
of my life.
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IT WAS ALWAYS ME
BEHIND THE SCENES
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It's a story of conflict.
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"THE PHARAOH" HAS DIED
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It's a story about a huge investigation
into the Pharaoh's death.
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At the same time as
you're enjoying the amazing sets…
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"The Pharaoh"
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…you'll enjoy the music and this story,
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this story behind it,
of suspense, secrets, anguish.
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And I said, "Wow, this will be cool.
This is something new."
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[Cano] I was hooked by the gender story,
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the idea of a girl leaving
her day-to-day life,
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strung along by the pain
of losing her father,
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and not really knowing her history,
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she discovers that maybe
that accident wasn't a coincidence.
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So, you have to put the pieces in place
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to get to the end
and find out how the game ends.
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[person] Camera B.
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How would I describe the Pharaoh
in one word? Cool.
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-It's passion.
-Cold.
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Introverted.
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-Genuine.
-It's show.
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Shot 1, take 2, camera A.
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Obviously, besides that,
they really like each other.
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And I started studying it.
I started adding some little things,
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and I started to give her
a bit of a personality
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so she's not just a TV character,
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but so people can understand
that if they ever meet Lupe on the street,
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this person exists, you know?
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Lupe really exists.
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Know what, Pipe?
I'll give you some advice.
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Get out of here!
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Don't touch me. Don't touch me!
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Pipe, enough! Enough!
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Honestly, when I read the character,
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I imagined a totally different Noah,
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a little more conceited,
a little more posh.
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And then, when they started to create him,
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and I started to see who Noah really was,
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it totally changed my perspective,
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and it totally changed
how I had read the character
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and also how I imagined Lupe
if she was with him, you know?
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And?
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What do you know about Pipe that I don't?
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[Noah] Why?
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And when we did the first scene,
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we started around episode 5 or so,
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so the relationship was stronger,
and it was our first scene together.
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So, it was a little complicated,
but honestly, it came out perfect,
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and you couldn't tell at all
that it was the first scene.
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So, I think that's wonderful,
when characters connect so well,
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and I think Lupe and Noah do that.
They connect really well.
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Yes, honestly it's my first time in a role
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where I'm going to play a character,
in this case, Noah.
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And imagine how great it is
that my first time is a leading role.
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-I'm Noah.
-Noah what?
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[Sevilla] You're going to see
a Chihuahua and a Rottweiler.
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So, Pipe is so tall next to me.
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So, I get there, and it's like…
[imitates barking]
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And Noah is, "Yes, Lupe. Lupe, relax."
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And a special touch by both of us is
that every time Noah wants to bother Lupe,
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he crouches down. Because he's so tall,
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he crouches down, and he says,
"I'm going to get on your level."
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And what I love about Pipe is
how he took this on--
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I mean, he took this on,
and he asked questions.
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He got information. He said, "Tell me.
What do I do? Tell me how to do it."
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He came from a different place,
a really great place,
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very human, heartfelt.
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It's not easy, honestly.
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I've told Pipe, it's not easy
to just jump off the cliff like that,
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with no parachute.
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Along with Cano,
it was the three of us that created
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and were literally
with Pipe the whole time.
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I think there was incredible growth,
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and now I see him and I think,
"Wow, he really grew a lot."
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-[upbeat music playing]
-[audience cheering]
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[Tappan] The Pharaoh,
at this point in my career,
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is the character I needed.
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I can't conceive of this character today
without music,
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and that motivates me a lot,
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because I created a character
based on music.
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Definitely, that's 100% how it was.
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In fact, I gave the Pharaoh one thing,
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and that's that he talks with a smile.
He talks like this.
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He talks with a smile. He's cool.
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[person, on PA]
All right, girls, we have the scene.
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Let's see where we can stop to cut, okay?
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-Yes!
-[cheering]
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[shrieking]
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I definitely think
the first thing I thought
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when I had the script in my hands was…
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Production Designer
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…to show and transmit to the audience
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all that magical realism
that Cartagena has.
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The Colombian Caribbean and Cartagena
have a lot to offer,
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a lot of color, a lot of music,
a lot of flavor.
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Each location looks gorgeous on camera.
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All of it is beautiful.
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[Romero] When you've been inside
for a year with the pandemic,
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and you have this
wonderful gift of saying,
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"We're going to Cartagena
for a month to film
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and to do what you love to do,"
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well, it's just wonderful.
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[Medina] I wanted to transport people
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through the locations
and Colombia's tropical Caribbean
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and make people feel
like they were in Colombia,
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that this is for everyone.
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And it's great to show
our Colombian tropics,
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which are so special and so beautiful.
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[Cano] Everything was
thoroughly thought through, you know?
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There was a reason for every location,
both emotionally and aesthetically.
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Each set I visited was
always a thousand times better
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than what I had imagined in my head,
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and, of course,
that makes you go much deeper
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into the role and to feel more emotions
when you're acting,
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because you were permeated by
and soaked in everything around you,
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things you could touch,
things you could interact with.
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All the sets are 100% created.
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Art Director
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I think they took advantage
of how beautiful Cartagena is,
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its nature, its streets and all that.
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Colombia!
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[Gutiérrez] And they made it Disney.
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The value, the style we have
in the visual aspect is incredible,
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and it's Colombian,
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so I can tell everyone from anywhere else
that's going to see this,
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"This is Colombia,"
to come visit us for this.
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Because this is our country,
what you're seeing there,
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that scenery, that ocean,
those beaches, that sun.
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We could say that Cartagena offered us
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a wide range
of very pretty colors and hues.
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The challenge was to bring that to Bogotá.
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And, today, to Girardot.
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I was also very impressed
by the fake Mexico
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because it's complicated
to make a fake Mexico.
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But the area where we filmed is
honestly just like an area in Mexico,
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just not the cold,
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so we had to act like
it was Mexico's climate.
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And when the sun comes out,
well, the cold's not that bad.
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This house is supposedly…
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artist lab
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…just outside the lodge.
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That's why it has the art
and everything it has.
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We made it look like it was an old house
in Cartagena or an old estate.
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Every time they give me a set like this,
I have to show it all.
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Camera B.
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From the script,
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no doubt it was seeing that my character
kisses someone of the same sex.
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I think that without a doubt,
that will provide a lot to talk about,
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and it was absolutely necessary
for it to happen in a generation
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where adolescents hurt themselves
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because they don't love themselves
and they don't have that validation.
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In terms of my character,
she's crazier than I thought.
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[whooping]
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And she was three times kookier
than I had proposed at casting!
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Which, I have to confess, I loved
because I've had so much fun.
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So, yeah, I think it's a dream come true
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to play a character who is as special
and wonderful and genuine as Angie is.
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In terms of the script,
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I was really surprised
mostly about expectations versus reality.
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I think its super important,
especially for a person
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who isn't aware of the thousands of ways
you can love, you know?
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Because there's also this concept
of boxing ourselves in.
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I am this or this or this.
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And you're simply human,
and love is love. Period.
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I think that the message is really
to be willing to live,
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to be willing to love,
and to be willing to get to know yourself.
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I liked that I found Charly really funny,
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and I found a lot of things in Simón
that I could use for Charly,
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that I really liked
and that I could exploit,
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and it was really fun and also very rich
for me as an actor to play him.
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So, honestly, I was very excited.
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So, to be a bit basic
in terms of the character,
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I love to be the character
that's the stone in your shoe.
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And what are you doing here?
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It's not the first time,
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but this type of character has
a wide range of possibilities
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that make them very rich to play,
that make them special.
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I can't do that! I can't tell them!
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REHEARSALS
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They're going to find out eventually!
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Like, really, really, really?
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I went to the casting
like any Tom, Dick or Harry.
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You've known me my whole life.
I'm stubborn. So what?
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When I read the character,
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when I read a scene for the first time,
which was with Noah,
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I loved it.
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I thought Lupe was
a very inspirational character.
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REHEARSALS
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I think a lot of things happened
at the same time
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because it's my first time acting.
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Yes, honestly, it's the first time
I'm playing a role, in this case, Noah.
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I saw everyone
at the casting for the Pharaoh,
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and I said, "No, I don't belong there."
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REHEARSALS
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It was another class of actor,
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all great, all musical,
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tall, handsome, dark hair,
not-so-dark hair,
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but not short and red-haired, like me.
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THE PATH OF THE PHARAOH
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And today is a special day because
today is the birthday of yours truly.
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When I read the synopsis of Lupe,
what her personality is like, everything,
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I fell even more in love. Like, I said,
because she's introverted, closed-off,
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because I'd never played
a character like that.
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And it got my attention,
so right away, I said,
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"I will give my all to this project,
absolutely. You can count on me 100%."
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It's also really nice that right now
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we're in the same studio
where we did the first casting.
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It was here!
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My process with the casting
was truly magical.
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I remember when my mom
and my manager told me,
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"You're going to the casting
for Disney's first show in Spanish,
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produced by Disney+ in Colombia."
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It was a total shock
when my manager called me
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two weeks later, crying,
saying that I had gotten the part.
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And yeah, I was in shock too.
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I remember it perfectly.
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The song I had to sing was
"Tú" by Shakira, with piano.
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I practiced it a ton,
and when I got there,
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I looked at the piano keys,
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and I couldn't see the separations.
It wasn't 2, 3, 2.
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They were just black, black,
black, and I said,
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"They changed the piano.
This can't be happening."
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I was really nervous,
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and then I took two seconds to breathe,
and I said, "This is my life's dream.
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At the very least, I have to try my best."
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-[piano playing]
-I sang, and now we're here.
240
00:12:03,682 --> 00:12:04,933
[laughing]
241
00:12:06,601 --> 00:12:08,937
How could you say that, Mariana?
242
00:12:09,020 --> 00:12:10,855
Dad was the most important thing
in my life.
243
00:12:10,939 --> 00:12:13,608
I think my scene went really well.
244
00:12:13,692 --> 00:12:17,070
They called me, and they were like,
"Hey, we liked what you did,
245
00:12:17,153 --> 00:12:19,155
and we want you to do the casting again,
246
00:12:19,239 --> 00:12:21,741
but this time for Noah, the lead."
247
00:12:21,825 --> 00:12:26,496
There's an expression that
what's meant for you will never miss you.
248
00:12:26,579 --> 00:12:28,957
I guess this was meant for me.
249
00:12:29,040 --> 00:12:31,292
What's meant to be will be.
250
00:12:33,336 --> 00:12:38,800
♪ For every moon that I gave to you
For every kiss that I swore to you ♪
251
00:12:38,883 --> 00:12:42,470
♪ A thousand nights by your side remain
And I haven't forgotten the way ♪
252
00:12:42,554 --> 00:12:45,348
What I love the most is
that it isn't a musical, you know?
253
00:12:45,432 --> 00:12:49,519
It's different.
It's a story that has music.
254
00:12:49,602 --> 00:12:55,316
The contest and the music, we could say,
is the spine of this whole series,
255
00:12:55,400 --> 00:12:57,902
of this whole…
of the story's plot, you know?
256
00:12:57,986 --> 00:12:59,946
And there's something different
in this project,
257
00:13:00,030 --> 00:13:03,992
which is that the music is the vehicle
for the character's actions
258
00:13:04,075 --> 00:13:06,202
and not necessarily an expression
259
00:13:06,286 --> 00:13:08,455
of what they're feeling,
what they're experiencing.
260
00:13:08,538 --> 00:13:12,792
♪ Baby hear me say
I want to sing to you night and day ♪
261
00:13:12,876 --> 00:13:16,504
And I like it.
I like to be sitting in the music scenes.
262
00:13:16,588 --> 00:13:19,841
In some of the scenes, it was like,
"Well, this is short."
263
00:13:19,924 --> 00:13:22,677
Here you just go…
[vocalizes] …and that's it,
264
00:13:22,761 --> 00:13:26,806
and I said, "No, no, no, no, no, no,
no, no, no. A little more."
265
00:13:26,890 --> 00:13:29,517
Well, one
of my favorite songs is "Friday."
266
00:13:29,601 --> 00:13:32,687
I love it. I think the song is
very meaningful, really,
267
00:13:32,771 --> 00:13:35,190
and also very romantic and very Lupe.
268
00:13:35,273 --> 00:13:36,649
♪ One more time ♪
269
00:13:36,733 --> 00:13:41,363
♪ Because Saturday and Sunday
I only want to spend them with you ♪
270
00:13:41,446 --> 00:13:44,074
♪ I know you would find me
And I'm lost ♪
271
00:13:44,157 --> 00:13:46,368
♪ You already found me
Playing hide and seek ♪
272
00:13:46,451 --> 00:13:48,995
♪ Because I didn't want to fall in love ♪
273
00:13:49,079 --> 00:13:51,373
♪ But now I know it's too late ♪
274
00:13:51,456 --> 00:13:55,502
I had a great coach here who helped me
a lot with playing, you know?
275
00:13:55,585 --> 00:14:00,840
To show off the guitar,
the movements, the 4/4 time,
276
00:14:00,924 --> 00:14:03,093
and I had to feel that.
277
00:14:03,176 --> 00:14:05,095
And you know what? I feel it.
278
00:14:05,679 --> 00:14:10,183
I have a guitar, and I would love to know
how to play a lot more things,
279
00:14:10,266 --> 00:14:11,601
but I don't.
280
00:14:11,685 --> 00:14:12,977
Coach/Music Producer
281
00:14:13,061 --> 00:14:16,815
Some of the actors have never played
guitar or piano before,
282
00:14:16,898 --> 00:14:20,652
so I meet with them.
I explain a bit about how the chords are,
283
00:14:20,735 --> 00:14:25,657
where they need to put their hands
so what they're doing looks credible.
284
00:14:25,740 --> 00:14:28,952
Every time we have an instrument,
for example, me with the guitar,
285
00:14:29,035 --> 00:14:31,830
Noah with the guitar or with the piano,
286
00:14:31,913 --> 00:14:33,039
Angie with the drums…
287
00:14:33,123 --> 00:14:35,917
We each have our instrument.
288
00:14:36,001 --> 00:14:37,794
I'm with them on the day of shooting too.
289
00:14:37,877 --> 00:14:39,713
Whenever they have questions or anything,
290
00:14:39,796 --> 00:14:46,302
I'm there to tell them
how the scene looks best.
291
00:14:46,386 --> 00:14:48,722
♪ There's so many things
I want to tell you ♪
292
00:14:48,805 --> 00:14:51,891
♪ And you're so cute
And I didn't know how to ♪
293
00:14:51,975 --> 00:14:54,686
♪ The world stops spinning
I'm not gonna lie to you ♪
294
00:14:55,520 --> 00:14:59,274
I'm going to sing with someone who,
when they came into my life,
295
00:14:59,357 --> 00:15:02,444
filled my days with light.
And her name is:
296
00:15:02,527 --> 00:15:05,530
María Guadalupe del Mar Díaz, my daughter!
297
00:15:06,781 --> 00:15:09,451
The story covers
a lot of things in my life
298
00:15:09,534 --> 00:15:12,495
that are just day-to-day things, normal.
299
00:15:12,579 --> 00:15:16,458
And I think Lupe also has
a lot of things that are personal to me.
300
00:15:16,541 --> 00:15:20,920
One of the things that I really emphasized
is I think she's not about people,
301
00:15:21,004 --> 00:15:23,256
and I'm not about people either.
302
00:15:23,340 --> 00:15:25,383
I get scared really fast.
303
00:15:26,551 --> 00:15:29,054
Like, I go into a panic
when I see a lot of people
304
00:15:29,137 --> 00:15:32,474
because I start to, like, collapse
and I start to, like…
305
00:15:32,557 --> 00:15:34,809
It's a very weird feeling, honestly,
306
00:15:34,893 --> 00:15:37,479
but it doesn't happen
when I'm at concerts.
307
00:15:37,562 --> 00:15:42,025
No, it happens more when I'm in places
like restaurants or places where I…
308
00:15:42,108 --> 00:15:43,276
On the street, for example.
309
00:15:43,360 --> 00:15:47,030
And it happens to Lupe onstage. It happens
to her all the time with people.
310
00:15:47,113 --> 00:15:49,491
♪ How do I tell her ♪
311
00:15:49,574 --> 00:15:51,868
♪ That she's the star
That's going to light my ♪
312
00:15:51,951 --> 00:15:54,120
♪ Way every night ♪
313
00:15:54,204 --> 00:15:58,750
You could say that my 13 years
of experience in music,
314
00:15:58,833 --> 00:16:02,003
which lead you to experiment
315
00:16:02,087 --> 00:16:04,673
and to go deeper
316
00:16:04,756 --> 00:16:08,802
and to hide a lot of things
about yourself for a show,
317
00:16:08,885 --> 00:16:11,012
managing the crowd…
318
00:16:11,096 --> 00:16:14,182
So you start to lose
your fear of embarrassment.
319
00:16:14,808 --> 00:16:18,478
And many of those things are tools
that are needed for this profession.
320
00:16:18,561 --> 00:16:22,816
♪ Baby hear me say
I want to sing to you night and day ♪
321
00:16:23,441 --> 00:16:26,653
[Sevilla] I think your personal life
is no longer so personal,
322
00:16:26,736 --> 00:16:29,280
and your personal life starts
to belong to them.
323
00:16:29,364 --> 00:16:32,117
And if they start to follow you,
to be with you all the time,
324
00:16:32,200 --> 00:16:34,035
they wait for you outside hotels,
325
00:16:34,119 --> 00:16:36,871
or they even go to the set
where you're shooting to wait for you.
326
00:16:36,955 --> 00:16:39,457
Me, Karol, I see Selena Gomez,
and I'll go to her hotel,
327
00:16:39,541 --> 00:16:41,668
and I'll wait for her there all day.
328
00:16:41,751 --> 00:16:43,420
And that's where you say,
329
00:16:43,503 --> 00:16:45,630
"Okay, this is what a fan feels,
330
00:16:45,714 --> 00:16:48,842
and this is what happens to a fan
when they're waiting for their idol."
331
00:16:48,925 --> 00:16:51,219
-♪ I don't know, I don't know ♪
-♪ Oh no ♪
332
00:16:51,302 --> 00:16:52,679
♪ I don't know
I don't know ♪
333
00:16:52,762 --> 00:16:56,516
From the moment the music gets inside you,
it becomes part of your life.
334
00:16:56,599 --> 00:17:01,604
Which, after that, not only do you have
a profession where you can do well,
335
00:17:01,688 --> 00:17:04,524
you can make a living.
You can have it all.
336
00:17:04,607 --> 00:17:07,485
It's also amazing to work
in something that isn't work.
337
00:17:07,569 --> 00:17:11,573
♪ And dedicate this feeling to you
What would I do without music? ♪
338
00:17:12,407 --> 00:17:17,495
So far, honestly, I haven't had fans
who've gotten to the point of hurting me.
339
00:17:17,579 --> 00:17:20,790
It's an affection and love
that is so sweet and healthy,
340
00:17:20,874 --> 00:17:25,086
which is beautiful,
but sometimes fanaticism can go too far.
341
00:17:25,170 --> 00:17:27,756
[singing continues]
342
00:17:29,132 --> 00:17:33,053
[person] All right, cut. I've got it.
Thank you, Lupe. I have a stop first.
343
00:17:36,723 --> 00:17:40,143
[Toscano] Today, we're filming
in one of the most important houses,
344
00:17:40,226 --> 00:17:42,103
which is the Pharaoh's house.
345
00:17:42,187 --> 00:17:44,773
We call it Pharaoh's eccentric house.
346
00:17:44,856 --> 00:17:46,733
So the set is very important too
347
00:17:46,816 --> 00:17:49,361
because we're going to create
all the explosions,
348
00:17:49,444 --> 00:17:51,738
the fires, all the effects.
349
00:17:51,821 --> 00:17:53,406
Special Effects Supervisor
350
00:17:53,490 --> 00:17:58,203
It all starts with a fire.
The Pharaoh fell asleep on the sofa.
351
00:17:58,286 --> 00:18:05,251
He's unconscious,
and the fire touches the curtains.
352
00:18:05,335 --> 00:18:07,796
The curtains set the rest on fire.
353
00:18:07,879 --> 00:18:12,926
A wall of flames moves
towards the kitchen, the stove,
354
00:18:13,009 --> 00:18:14,928
where the gas is turned on.
355
00:18:15,011 --> 00:18:19,224
It's not an accident. That's on purpose.
356
00:18:19,307 --> 00:18:20,517
TEST EXPLOSION
357
00:18:20,600 --> 00:18:22,268
[explosion]
358
00:18:22,352 --> 00:18:27,023
We did a test so that we are sure
that we have good strength,
359
00:18:27,107 --> 00:18:30,068
so then we'll go to the original site,
where there's no option.
360
00:18:30,151 --> 00:18:33,988
We can't do a test,
and that way we can be sure.
361
00:18:34,072 --> 00:18:36,282
[woman] We have balsa wood.
362
00:18:36,366 --> 00:18:40,870
We have powder, in a can,
and you'll feel heat.
363
00:18:40,954 --> 00:18:43,164
We have the actor lying on the floor.
364
00:18:43,248 --> 00:18:49,337
What saved him, if I can say it like that,
is that he's inside the house,
365
00:18:49,421 --> 00:18:55,427
and as soon as he passes
a safety line, we shoot.
366
00:18:55,510 --> 00:18:57,053
[explosion]
367
00:18:57,137 --> 00:18:58,763
And that door blows off.
368
00:18:58,847 --> 00:19:03,476
The bricks go flying, mushrooms of fire.
369
00:19:03,560 --> 00:19:05,437
And that's it. The perfect catastrophe.
370
00:19:05,520 --> 00:19:07,981
[explosion]
371
00:19:08,481 --> 00:19:09,607
Action!
372
00:19:09,691 --> 00:19:10,942
There, at this height…
373
00:19:11,526 --> 00:19:14,320
Well, the experience
of working with Pipe Cano is…
374
00:19:14,404 --> 00:19:17,907
I mean, I'm not saying this just because
he's our director, but it's wonderful.
375
00:19:17,991 --> 00:19:22,662
I heard a lot of comments
about him before, all positive:
376
00:19:22,746 --> 00:19:26,750
"Wow, what a great director
for your first time,
377
00:19:26,833 --> 00:19:30,253
and in the lead role,
to be with Pipe Cano."
378
00:19:30,337 --> 00:19:34,341
With just a few words,
379
00:19:34,424 --> 00:19:38,178
he can transform an idea or an action,
380
00:19:38,261 --> 00:19:42,265
or sometimes it's not even words,
just how he looks at you
381
00:19:42,349 --> 00:19:47,562
and says, "Take it down a little, or not,
or add a little oomph."
382
00:19:47,645 --> 00:19:49,814
So, he's really good at two things.
383
00:19:49,898 --> 00:19:51,900
One, you can't lie to him, in the sense
384
00:19:51,983 --> 00:19:55,612
of approaching the scene
from another point of view.
385
00:19:55,695 --> 00:19:56,946
Or you messed up, maybe,
386
00:19:57,030 --> 00:19:59,532
and he pauses to say,
"Look, this is what's happening."
387
00:19:59,616 --> 00:20:03,161
How are you going to enjoy the moment?
Don't think about the choreography.
388
00:20:03,244 --> 00:20:07,582
He always catches your lie or
what you're trying to do and disarms you.
389
00:20:07,665 --> 00:20:11,503
I was very insistent that I needed actors
who I already trusted,
390
00:20:11,586 --> 00:20:14,756
because what we had to do
was take this story,
391
00:20:14,839 --> 00:20:16,424
put it on Earth,
392
00:20:16,508 --> 00:20:19,177
so the viewer sees a real world
when they watch it,
393
00:20:19,260 --> 00:20:22,722
a world that you can touch,
so the viewer feels
394
00:20:22,806 --> 00:20:25,558
that they're sitting
in the room with them.
395
00:20:25,642 --> 00:20:28,770
[Sevilla]
And it's been a pleasure, an honor.
396
00:20:28,853 --> 00:20:31,106
And I think people
are really going to like it
397
00:20:31,189 --> 00:20:35,402
because he humanized her for me.
He helped me to give her life.
398
00:20:35,485 --> 00:20:38,154
He helped me to give her a heart
to make her a real character,
399
00:20:38,238 --> 00:20:41,741
and that's not easy, so…
400
00:20:42,409 --> 00:20:43,702
High five, team!
401
00:20:46,705 --> 00:20:47,956
Hurry up! Go!
402
00:20:52,585 --> 00:20:56,131
I have a story.
At the beginning of it all, they told me,
403
00:20:56,214 --> 00:21:00,301
"Tell Tappan to send a voice memo
singing a song."
404
00:21:00,385 --> 00:21:01,678
And I told them,
405
00:21:01,761 --> 00:21:05,348
"If I send you a voice memo
singing a song, I won't get the role."
406
00:21:05,432 --> 00:21:07,434
And something that cracked me up,
for example,
407
00:21:07,517 --> 00:21:10,854
was me diving into the pool
when you were teaching me to swim,
408
00:21:11,730 --> 00:21:14,816
because I had to dive in very badly,
409
00:21:14,899 --> 00:21:17,235
and even though it was painful,
it was really fun.
410
00:21:17,318 --> 00:21:20,530
One of the scenes that I remember was
the most fun for me
411
00:21:20,613 --> 00:21:25,994
was the scene in the hut with Lupe
when we had to jump from up above,
412
00:21:26,077 --> 00:21:28,413
because I remember that
one of the times we jumped,
413
00:21:28,496 --> 00:21:31,499
Karol and I were so excited.
They told us, "You can't jump.
414
00:21:31,583 --> 00:21:34,461
The doubles will do it
because it really is very high,
415
00:21:34,544 --> 00:21:35,879
and you have to be careful."
416
00:21:35,962 --> 00:21:37,589
And there were rocks in the ocean.
417
00:21:37,672 --> 00:21:42,761
And at one point, we were both so excited
that we forgot we were acting,
418
00:21:42,844 --> 00:21:46,264
and we both jumped,
but we realized in time.
419
00:21:46,348 --> 00:21:48,641
So both of our faces were like… [gasping]
420
00:21:48,725 --> 00:21:51,061
Well, honestly, she's always goofing off.
421
00:21:51,144 --> 00:21:54,397
-All right, I'm leaving.
-I'm done. Thanks. Goodbye.
422
00:21:56,149 --> 00:21:57,150
[kiss]
423
00:21:57,233 --> 00:21:59,277
[Sevilla]
I have to tell you something fun.
424
00:21:59,361 --> 00:22:00,862
Wendy's bullet wound.
425
00:22:01,696 --> 00:22:06,201
That day we all got really hurt.
426
00:22:06,284 --> 00:22:09,287
That day, Wendy broke her finger.
427
00:22:09,371 --> 00:22:11,790
I scraped both my knees.
428
00:22:11,873 --> 00:22:13,875
I twisted my hand.
429
00:22:13,958 --> 00:22:17,712
Tappan already had, like,
20 shirts missing buttons.
430
00:22:18,797 --> 00:22:20,298
Pipe fell too.
431
00:22:20,382 --> 00:22:22,592
Very conveniently,
we had been waiting a year
432
00:22:22,676 --> 00:22:25,387
for this to start
and not a thing had happened,
433
00:22:25,470 --> 00:22:30,517
but we get here and José decides
that he's going to kiss the guitar
434
00:22:30,600 --> 00:22:33,103
with his eyebrow at like 100 mph.
435
00:22:33,186 --> 00:22:36,022
And he cut his eyebrow
in the middle of the show.
436
00:22:36,523 --> 00:22:38,858
The story is really simple actually.
437
00:22:38,942 --> 00:22:41,778
In part of the choreography,
I was supposed to take off the guitar.
438
00:22:41,861 --> 00:22:44,572
And we got caught up a little,
me and the dancer
439
00:22:44,656 --> 00:22:48,034
who was supposed to take it from me,
because of the speed.
440
00:22:48,118 --> 00:22:50,078
Plus, that guy had to do it all.
441
00:22:50,161 --> 00:22:53,081
That same guy had to do flips in the air.
442
00:22:53,164 --> 00:22:56,584
He had to take the guitar from me,
give me a microphone, hand off the guitar,
443
00:22:56,668 --> 00:22:59,587
so, due to the speed,
I was still taking it off,
444
00:22:59,671 --> 00:23:01,089
and he grabbed it a little early,
445
00:23:01,172 --> 00:23:04,843
and that created, like,
a lever while I was lifting the guitar.
446
00:23:04,926 --> 00:23:09,139
And it was my pleasure to give you
that gem for the behind the scenes.
447
00:23:09,222 --> 00:23:11,683
But it wasn't too bad.
Everything was fine.
448
00:23:11,766 --> 00:23:15,311
Fortunately, the production paramedics
are amazing. They're geniuses.
449
00:23:15,395 --> 00:23:19,065
They acted very quickly.
The doctor approved everything they did,
450
00:23:19,149 --> 00:23:24,487
and apparently, I'm only going
to have a scar and a great story to tell.
451
00:23:30,827 --> 00:23:32,537
[Tappan]
This is a very unique project because
452
00:23:32,620 --> 00:23:34,122
it started in the middle of the pandemic.
453
00:23:34,205 --> 00:23:37,375
So we had a responsibility
during the pandemic,
454
00:23:37,459 --> 00:23:39,669
that we all had to be
in a bubble together.
455
00:23:39,753 --> 00:23:41,880
[Bueno] After the first two weeks
that we were in Barú,
456
00:23:41,963 --> 00:23:44,215
where we were apart,
it's different there, obviously.
457
00:23:44,299 --> 00:23:46,176
We got to Cartagena,
all in the same hotel,
458
00:23:46,259 --> 00:23:48,678
where it was more obvious
that we were living together.
459
00:23:48,762 --> 00:23:52,015
And obviously, there was something there.
460
00:23:52,098 --> 00:23:57,395
It increased the energy of the whole team,
to get to know each other better.
461
00:23:57,479 --> 00:23:58,897
And that makes it very unique
462
00:23:58,980 --> 00:24:02,275
because, making this type of show,
you really bond with the others
463
00:24:02,359 --> 00:24:05,236
because it's three,
four months, two months,
464
00:24:05,320 --> 00:24:08,281
whatever it is,
you're with the same people every day,
465
00:24:08,365 --> 00:24:10,742
from sunup to sundown, lots of hours,
very intense.
466
00:24:10,825 --> 00:24:12,702
It's intense for everyone.
467
00:24:12,786 --> 00:24:16,748
We're a very big team, and we took care
of each other. We cared for each other.
468
00:24:16,831 --> 00:24:20,877
We supported each other, and we made
this time really enjoyable, really happy,
469
00:24:20,960 --> 00:24:23,963
and I think that will definitely show
in the end result.
470
00:24:24,047 --> 00:24:27,050
We spent so much time together,
and it was quality time,
471
00:24:27,133 --> 00:24:29,594
where we developed a lot of things,
472
00:24:29,678 --> 00:24:32,681
and the scenes were like puzzles
that moved on their own.
473
00:24:32,764 --> 00:24:34,557
We can't believe it was only two months.
474
00:24:34,641 --> 00:24:37,102
I feel like I've known Jose
for over a year.
475
00:24:37,185 --> 00:24:39,646
And Juliana, Dubán, Pipe, and everyone.
476
00:24:39,729 --> 00:24:44,484
And of course, that helped make
what everyone sees on-screen
477
00:24:44,567 --> 00:24:46,569
that much stronger.
478
00:24:46,653 --> 00:24:51,491
And that allowed us to create this bond,
and from there, as artists,
479
00:24:51,574 --> 00:24:53,952
to start to work with the character,
without fear,
480
00:24:54,035 --> 00:24:57,497
because it also broke down a barrier
for us as actors too.
481
00:24:57,580 --> 00:25:02,502
And I watch it, and I feel very proud,
however that happened.
482
00:25:02,585 --> 00:25:04,462
Life knows how it plays its cards,
483
00:25:04,546 --> 00:25:07,090
and it put us all together
at the right time
484
00:25:07,173 --> 00:25:09,801
in the right place, in the right way.
485
00:25:09,884 --> 00:25:11,469
I'm grateful.
486
00:25:11,553 --> 00:25:15,724
It's impossible not to be grateful
when one of your life's dreams comes true
487
00:25:15,807 --> 00:25:19,060
in the middle of such worldwide chaos.
488
00:25:19,144 --> 00:25:21,813
So, that gratitude
was there behind everything,
489
00:25:21,896 --> 00:25:24,482
and that willingness to love
and those acts of service
490
00:25:24,566 --> 00:25:27,986
were so present in each of us,
491
00:25:28,069 --> 00:25:29,320
that each of us offered up
492
00:25:29,404 --> 00:25:34,617
for what It Was Always Me was
going to be, the best of ourselves.
493
00:25:35,118 --> 00:25:36,661
Hi Dubán!
494
00:25:39,414 --> 00:25:43,668
♪ There's nothing else to say
I've leave this love in your window ♪
495
00:25:43,752 --> 00:25:45,712
♪ Love me, love me in the morning ♪
496
00:25:45,795 --> 00:25:48,923
[Medina] The final concert, and really,
497
00:25:49,007 --> 00:25:53,511
I would say all the concerts
in the show, like the rounds,
498
00:25:53,595 --> 00:25:56,890
was one of the main challenges,
499
00:25:56,973 --> 00:25:59,851
because being a musical story,
500
00:25:59,934 --> 00:26:02,896
it required a lot.
501
00:26:02,979 --> 00:26:07,901
And when the pandemic happened,
we all had to readjust the story,
502
00:26:07,984 --> 00:26:12,697
because it was a story
that took place in scenes
503
00:26:12,781 --> 00:26:17,243
on the street, like festivals,
big concerts.
504
00:26:17,327 --> 00:26:20,330
All right, today we're…
This the episode's final sequence.
505
00:26:20,413 --> 00:26:21,414
Postproduction Coordinator
506
00:26:21,998 --> 00:26:24,459
And we're going to multiply the crowd.
507
00:26:24,542 --> 00:26:29,714
We can't bring people in because of COVID,
so we're going to do it digitally.
508
00:26:30,215 --> 00:26:34,219
We're preparing a drone, doing tests
with a drone now to see how they look,
509
00:26:34,302 --> 00:26:39,641
and we've already done
a lot of tests with digital animation.
510
00:26:39,724 --> 00:26:42,352
The hardest part is coordinating
with the director
511
00:26:42,435 --> 00:26:45,814
and mixing the kids singing live
512
00:26:45,897 --> 00:26:49,150
with the live people that are going
to be down below, applauding,
513
00:26:49,234 --> 00:26:51,695
since we don't have many people
because of COVID.
514
00:26:53,154 --> 00:26:55,323
So all the crowds that you see,
515
00:26:55,407 --> 00:26:59,411
they are generally going to be digital
and created by us in postproduction.
516
00:27:01,121 --> 00:27:02,122
Action!
517
00:27:02,205 --> 00:27:04,708
[Fernández]
Another effect that took a lot of time was
518
00:27:04,791 --> 00:27:07,168
the front of the Pharaoh's house
after the explosion.
519
00:27:07,794 --> 00:27:11,089
In episode 6,
Lupe and Noah visit the burned house.
520
00:27:11,881 --> 00:27:13,633
We didn't have the house,
521
00:27:13,717 --> 00:27:17,721
so we decided to do
the whole front part digitally,
522
00:27:17,804 --> 00:27:19,305
all burned up and exploded.
523
00:27:19,806 --> 00:27:22,434
So we had to cover up, paint, clone,
524
00:27:22,517 --> 00:27:25,145
add wooden boards, close the doors,
525
00:27:25,228 --> 00:27:27,856
all digitally and frame by frame.
526
00:27:27,939 --> 00:27:31,735
We also had a big job with the interior
because it was done in Bogotá, not there.
527
00:27:31,818 --> 00:27:35,780
We had pictures of the original house
and the original house sets,
528
00:27:35,864 --> 00:27:40,326
so we could chroma key them
with Karol and Pipe,
529
00:27:40,994 --> 00:27:44,330
and be able to make it look like
they were inside the house.
530
00:27:45,665 --> 00:27:48,168
Along with multiplying the audience,
531
00:27:48,251 --> 00:27:51,254
that was one of the most
complicated effects of the series.
532
00:27:53,214 --> 00:27:54,132
Boom!
533
00:27:54,716 --> 00:27:55,675
[laughing]
534
00:28:01,139 --> 00:28:03,683
What I'm going to miss the most
about It Was Always Me?
535
00:28:03,767 --> 00:28:06,519
My colleagues, no doubt,
536
00:28:06,603 --> 00:28:09,064
seeing them every day,
537
00:28:10,148 --> 00:28:12,901
having breakfast with them every day,
538
00:28:13,860 --> 00:28:19,282
them cleaning up all my messes,
and they've cleaned up many.
539
00:28:20,158 --> 00:28:22,118
We had an incredible relationship.
540
00:28:22,202 --> 00:28:26,998
I've never felt so connected,
and I'm going to miss them so much.
541
00:28:27,082 --> 00:28:29,042
I'm going to miss Colombia,
542
00:28:30,293 --> 00:28:33,296
waking up early, going to shoot,
543
00:28:33,380 --> 00:28:36,925
saying, "Good morning, friends."
544
00:28:37,008 --> 00:28:40,470
[Gaviria] Like I was saying before,
you have no choice.
545
00:28:40,553 --> 00:28:42,847
You either kill each other
or you love each other,
546
00:28:42,931 --> 00:28:45,892
and I think we ended up
all loving each other, which is good.
547
00:28:45,975 --> 00:28:49,187
I think the series was made
with a lot of love,
548
00:28:49,270 --> 00:28:53,858
and that love was enough
to be able to keep going.
549
00:28:53,942 --> 00:28:56,236
All together, no one failed here.
550
00:28:56,319 --> 00:28:58,405
We were all sailing together
on the same ship,
551
00:28:58,488 --> 00:29:00,073
and you can see that in the show.
552
00:29:00,156 --> 00:29:02,742
Family, that's the only word I can use,
553
00:29:02,826 --> 00:29:05,912
because it was like me as the dad,
Adriana as the mom,
554
00:29:05,995 --> 00:29:08,206
Christian was like the crazy uncle,
555
00:29:08,998 --> 00:29:11,960
and the rest were our children,
nieces and nephews.
556
00:29:12,043 --> 00:29:14,170
So it was really special.
557
00:29:14,254 --> 00:29:21,011
When I finish a shot, and let's say,
I stop to think of what's next,
558
00:29:21,094 --> 00:29:25,932
when I turn around, there's 15 heads
looking silently in the same direction,
559
00:29:26,016 --> 00:29:28,893
trying to think what I'm thinking.
560
00:29:30,061 --> 00:29:34,107
And that… I miss that a lot
in my day-to-day life.
561
00:29:34,190 --> 00:29:38,695
I mean, losing a family
of 100 people overnight, it's not easy.
562
00:29:38,778 --> 00:29:40,238
Each project is a journey.
563
00:29:40,321 --> 00:29:44,951
But this project was very special
because it's a journey I've never taken.
564
00:29:45,035 --> 00:29:47,537
And yeah, I'll be romantic.
I'm going to miss my colleagues
565
00:29:47,620 --> 00:29:50,290
because some live in Bogotá,
and I'll be in Medellín.
566
00:29:50,373 --> 00:29:55,920
But we made a nice family and friendships
that I don't think will be temporary.
567
00:29:56,004 --> 00:29:58,381
I think they will last over time.
568
00:29:58,465 --> 00:30:01,176
I'm leaving with a full heart.
569
00:30:01,259 --> 00:30:05,513
I mean, honestly, I can't fit
any more love in there or it will explode.
570
00:30:05,597 --> 00:30:09,893
Thanks to each person
that was part of this project,
571
00:30:09,976 --> 00:30:12,312
thanks to them,
this project is what it is,
572
00:30:12,395 --> 00:30:14,606
and thanks to them, Lupe is who she is.
573
00:30:14,689 --> 00:30:18,526
-[clapboard claps]
-Episode 6, scene 8, shot 4, take 1.
574
00:30:18,610 --> 00:30:21,571
Last shot of Lupita, camera B.
575
00:30:24,282 --> 00:30:25,700
[applause]
576
00:30:26,534 --> 00:30:29,537
You definitely have to see it.
You have to see it and enjoy.
577
00:30:29,621 --> 00:30:30,747
I hope you love it.
578
00:30:30,830 --> 00:30:34,167
Let me introduce Pipi Bueno! Ay, ay, ay!
579
00:30:34,250 --> 00:30:37,170
I love you so much, It Was Always Me!
580
00:30:39,214 --> 00:30:42,258
[shouting]
581
00:30:44,803 --> 00:30:47,097
Second day of shooting
of the final episode.
582
00:30:47,180 --> 00:30:49,391
[chattering]
583
00:30:49,474 --> 00:30:55,271
Last shot Noah, episode 5,
scene 17, shot 3, take 1, camera A.
584
00:31:00,068 --> 00:31:01,611
Where are you keeping my dad?
585
00:31:05,031 --> 00:31:06,449
That was very relaxed.
586
00:31:10,787 --> 00:31:12,789
[engine cranks]
587
00:31:16,209 --> 00:31:17,210
[person] Cut!
588
00:31:17,293 --> 00:31:21,631
[person] You look great.
I mean, really impressive…
589
00:31:21,715 --> 00:31:24,217
I'm gonna cry, okay? [laughing]
590
00:31:25,552 --> 00:31:28,388
IT WAS ALWAYS ME
BEHIND THE SCENES